|Source||Directory of Open Access Journals (DOAJ)|
|Publisher||Asociación de Historia Actual|
|File Format||HTM / HTML|
|Language||English ♦ Spanish ♦ French ♦ Italian ♦ Portuguese|
|Subject Domain (in LCC)||D ♦ D1-2009|
|Subject Keyword||Femineidad ♦ Revista ♦ Canción ♦ Cartel ♦ History ♦ Moda ♦ Títulos de crédito|
|Abstract||Bien es conocida la voluntad permanente en en un director como Pedro Almodóvar de utilizar lo más posible las posibilidades específicas del lenguaje cinematográfico y de trabajar todos los segmentos del discurso del cine. Por eso, desde sus primeras películas, Almodóvar ha cuidado mucho los dos umbrales del relato filmico que son los títulos de créditos de principio y de final. Uno de los ejemplos más significativos al particular es el de Mujeres al borde de un ataque de nervios que nos proponemos estudiar detenidamente al mismo tiempo que nos servirá como representación del mensaje esencial de la película._____________________ ABSTRACT:We know that Almodovar is a director who thrives at using all the specific means put at his disposal by the cinematic language. That is why, ever since the first movies he directed; Almodovar has paid particular care at the beginning and the ending of the movie, creating crafted opening and closing credits. We find one of the most significative examples in Mujeres al borde de un ataque de nervios that we propose to study now as well as extracting its key messages.|
|Age Range||18 to 22 years ♦ above 22 year|
|Education Level||UG and PG ♦ Career/Technical Study|
|Learning Resource Type||Article|
|Journal||Historia Actual Online|
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