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Author Ramis Salam P.
Source OMICS International
Content type Text
Publisher OMICS International
File Format PDF ♦ HTM / HTML
Copyright Year ©2016
Language English
Subject Keyword Political ♦ Political cinema ♦ Parallel cinema ♦ A political tool ♦ Propaganda
Abstract The most celebrated eminent Indian film director Satyajit Ray pasteurised the political history of India during 70’s and 80’s through his films. It looks different and gets more popularity. Politics, the word itself does not a word which used for valance and protest, otherwise politics is the internal evolution of human beings. The Ray characters played a very important role in deliver the political circumstances in 70’s and 80’s. It may be a striking political lesson. Politics, the word most commonly used for convey the provoking idea to the people. Satyajit Ray tries to wipe out the evil face of politics through his films In this study politically analysis the films Appu Trilogy, Jana aranya, Charulatha and Prathidhwani with the help of Indian political scenarios. This study is based on the content analysis of Sathyajith ray movies. The study conducted based on the method of mise-en scene of Sathyajith ray films. The study is also based on the theoretical frame work of Gandhian aproches and Marxian view. This paper finds out that, Sathyajith ray films are highly political, with respect to the senario of those period of film are made.
ISSN 21657912
Educational Use Research
Education Level UG and PG
Learning Resource Type Article
Publisher Date 2016-09-29
Journal Journal of Mass Communication & Journalism
Volume Number 6
Issue Number 6
Page Count 4
Starting Page 1
Ending Page 4

Source: OMICS International